Foreign editions of Penthouse Comix continued publishing long after the American version ceased. Foreign editions įoreign versions of Penthouse Comix initially reprinted the material from the American magazine, but later began contracting for new material by top non-American creators, such as Jordi Bernet and Enrique Sánchez Abulí. The set included art by Hughes, Julie Bell, Ernie Colón, Glenn Fabry, Frank Frazetta, Mark Texeira, Boris Vallejo, and others. The 27 standard cards were accompanied by a chase card of Penthouse Pet Emerald Heart a 1,000-limited-edition Alphonso Azpiri autograph card and an Adam Hughes Hericane promotional card.
In 1996, RC Cards issued a boxed set of Penthouse Comix trading cards. Although the cover had clearly been modeled on 1960s men's pulp magazine covers (which routinely featured Nazi villains), for foreign markets the swastika was altered to become an "X," and depictions of Hitler's head and swastika ring (in one story written by Caragonne) were replaced with a smiley face. Editor Carragonne then went out of his way to inflame the issue by prominently featuring a swastika on the cover of Penthouse Comix #3.
Some European countries also altered a story that featured Adolf Hitler (under laws which prohibited depiction of the Nazi leader). "six panels of comics dealing with the subjugation of women and other sexual themes." In June 1994, Canadian authorities warned that they would prohibit distribution of Penthouse Comics issue #2 (July/August 1994) because of General Media went bankrupt a few years later. The Penthouse Comix line was then whittled to only the original magazine and Elliott edited the remainder of the magazine's run, largely printing sub-par material which had been contracted by Caragonne. General Media then seized control of its comics-related publishing from the deceased Caragonne's packaging company, and installed Dave Elliott as editor. In 1995, Caragonne was accused of embezzlement by Penthouse, was fired, and later committed suicide. After Weisfeld's departure, some top-line artists began abandoning assignments, to be replaced by lesser talents, while overall quality and sales declined. 1995) Omni Comix, the latter a companion to the science magazine Omni.Īfter the magazine's successful start, editor-in-chief George Caragonne, who was developing a history of erratic behavior, purged managing editor Horatio Weisfeld during the production of Penthouse Comix #4. Two additional titles were later added to the line: The seven-issue Men's Adventure Comix (cover-titled Penthouse Men's Adventure Comix) (April/May 1995 - April/May 1996), and the three-issue (March/April 1995 - Oct./Nov. Issues #6-7 were published in both a magazine-size newsstand edition and a comic-book sized direct-market edition for sale in comic-book stores. From issue #26 to the end of its run, Penthouse Comix was published at standard modern comic-book size, with saddle-stitching, card-stock covers, and glossy interior pages. Sold on newsstands, the periodical debuted in a squarebound magazine format 10¾" x 8¼" (27.5 cm x 20.7 cm). The magazine's early issues avoided hardcore sex in favor of "soft-core erotica" and satiric humor that poked fun at various popular genres and popular culture. Subsequent issues contained work by artists such as Roberto Baldazzini, Richard Corben, Tony Salmons, Bart Sears and Gray Morrow. It appeared in spring 1994 and featured work by Adam Hughes, Mark Beachum, Garry Leach, Kevin Nowlan, Mike Harris, Arthur Suydam, Jordan Raskin, Horacio Altuna, and Milo Manara. The first issue of the stand-alone Penthouse Comix was a 96-page, color, glossy magazine with cover price of $4.95 US. Guccione agreed to a budget that was designed to cherry pick art talent from both American comic book companies and non-US publishers and this resulted in Penthouse Comix offering a per-page rate among the highest ever paid to freelance comic book artists. After 3 of these sections were printed (featuring artwork by Adam Hughes, Kevin Nowlan and Garry Leach), publisher Bob Guccione dictated that Penthouse Comix become its own stand-alone magazine, something which he envisioned competing in both US and European magazine markets.
#Penthouse magazine cartoons series
Penthouse Comix began as a series of short segments in Penthouse Magazine.
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